(Epic, 1972) by Subject Esq. before they changed their name to Sahara; complex progressive rock with fusion elements, showing classical influences, and demonstrating superb musicianship throughout. Comparable to many other bands of the era, like Thirsty Moon, Camel, etc.—in fact, they have a similar degree of complexity and inventiveness (multi-tracked sax and guitars, and so on) to many bands from the Canterbury scene. Subject Esq. had unique touches of their own, with an unusual use of vocals, time signatures, and a wide range of solo instruments, all of which are given plenty of room in the lengthy instrumental sections. An odd major label album, so perhaps it’s no surprise that they left CBS to record their more esoteric Sahara albums.